BOOK THREE BERLIN
of Goethe's Theory of Colors
In general terms, in his theory of colors (Farbenlehre), Johann Wolfgang von Goethe (1749-1832, above in 1828) disputed the physico-mathematical theory of color in Newton's Opticks. Goethe sought in its place to do justice to the psycho-physiological aspects of color. In addition to observing the properties of light, he analysed the phenomena of vision, for example complementary colors (as in the color wheel above). His Theory of Colors was published in 1810. He also studied plants and minerals in addition to his literary output.
A Prussian councillor, Shultz and a lecturer von Henning did experiments and gave talks on Goethe's theory of color. Hegel's patronage of the theory, by incorporating it into his philosophy, gave it further currency.
He and Goethe exchanged letters on the subject (SW17; Corr II, L381-93). Goethe sent a vase illustrating his theory and Hegel sent a light-hearted reply, saying that wine showed spirit present in nature and the glass and wine together were like Ahriman and Ormuzd. Goethe called Hegel the Absolute and himself the Urphaenomenon (a central term of his physical theories) in a similar spirit.
There is further discussion of Hegel and Goethe in Karl Göschel's Hegel und seine Zeit (1832). An opponent of Hegel from 1827, Schubart, also knew Goethe. Rosenkranz observes that:
"The unity of Hegelian speculation and Goethean poetry became quite a dogma of the Hegelian school." (521)
You can see a summary of some of Goethe's views on color here: